Coming off the success of their recent release, "Transjester," Saint Valentine unveils the second chapter of their four-part debut EP of the same title.

"The Good" is a soft hearted love letter to girlhood, an expression of deep admiration and love towards a female best friend, a longing to run away together.

Pop singer-songwriter Laura Pieri makes a bold return with her new single, "Flown Away. 

The track leads the way for Frankie On The Dancefloor, an expanded edition of her 2024 EP Frankie, set for release on May 30th. Alongside "Flown Away," the project will feature four brand-new remixes that amplify her ever-evolving pop sound. 

I would like to present an adventure and management game named Bear and Breakfast (2022), developed by Gummy Cat.

The pieces of the story can be considered minor spoilers, but I am not revealing the main and important information about the game.

A few weeks ago, my friend told me about an app they were using to track their sleeping habits: Pokémon Sleep. When they first mentioned it, I found it strange. Why would Pokémon care about sleep schedules? So, I decided to try this mobile game for a night.

Indie-pop singer and songwriter Maddie Regent unveils "Miss Virgo," the final pre-release single from her highly anticipated debut album, On the phone with my mom, out May 16th.

Alongside the single, she is also revealing the album’s full 14-song tracklist. 

Rising pop singer-songwriter Avery Lynch continues her unstoppable momentum with the release of her emotionally charged new single, “Dead to Me”.

The track arrives alongside a striking music video directed by Gus Black. Following standout singles like “think about it” and “the boys who don’t know what they want,” “Dead to Me” further sets the tone for Avery’s upcoming project, due out in September 2025.

Rising avant-pop force Sophie Powers is back and bolder than ever with her latest single, "move with me."

Marking the dawn of a new era, the 20-year-old artist sheds the bubblegum neon aesthetic that defined her earlier work, stepping into a darker, rawer, and more nihilistic vision—one that embraces chaos rather than sugarcoating it. 

The intersection of Artificial Intelligence (AI) and music production has sparked both excitement and concern within the music industry. Recent developments in machine learning have empowered individuals to recreate the sounds of their musical idols from the comfort of their own homes, leading to a proliferation of AI-generated music and innovative tools. However, the implications of these advancements raise complex questions about creativity, ownership, and the future of the music industry.

Our writer Meg has penned a thoughtful, in-depth review of Talking at Night by Claire Daverley. She reflects on the raw depictions of grief, love and how the author creates authenticity in multi-layered, imperfect characters.

It was at the tender age of 12 that my mom showed me her favorite movies, mostly old thrillers. My first was Rear Window, which of course we followed with North by Northwest, Charade, To Catch a Thief, Wait Until Dark, among others. Some were better than others, some aged poorly, but none were as good as Rear Window, which is a favorite to this day.

If I am honest, though, the Golden Age of Hollywood doesn’t do much for me anymore. The women are so pretty, so classically feminine. The men are strong, rough, and indistinguishable from each other. I will always love Rear Window, even as I see how far from Grace Kelly and James Stewart, and realize it doesn’t love me back.

When Whitney Adebayo and Lochan Nowacki made it to the last two couples alongside Jess Harding and Sammy Root in Love Island’s season 10 finale on Monday night, fans were convinced this would be the day that we would see a dark-skinned black woman win the series.

But then, this is the UK after all, so maybe we should have seen it coming…

A few weeks ago I turned 29, the pivotal last year of my 20s.

Being in your 20s/30s is a weird time. It’s a transitional period when suddenly you’re expected to know everything that you want to do with your years, whether that’s in terms of career, getting a house, getting married, or having children. But it’s also supposed to be the best time of your life, with the free abandon to enjoy it as much as you can.

The struggle is real… when you’re the sad girl whose dad died

Season 4 of Mindy Kaling’s hit Netflix teen comedy Never Have I Ever hit our screens today, for the final time. Over the last four seasons we have watched high schooler Devi navigate crushes, hookups, friendships and studies as she makes her way towards graduation and the ending of the show. Never Have I Ever is funny, outlandish, and oozes with Kaling’s notorious wit and charm.

But as a 29-year-old, the thing that resonates with me most about the show is the unbelievably accurate depiction of what it’s like to lose a parent when you’re a teenager.